An organ builder usually has three wishes: a sufficient installation height, an appropriate floor space and beautiful acoustics. Today, it is not just a question of traditional construction methods, but also of harmonising musical and functional objectives. The end result is a sound experience that captivates organists and audiences alike.
Every turning and swivelling movement in the organ and every friction point places high demands on the product and requires a suitable bearing. Baumgartner Orgelbau, a workshop for historical musical instruments, is well aware of this. The specialist refurbishes and reconstructs organs on the one hand, while on the other it manufactures vendor parts for traditional organ building and supplies customised components and assemblies to the actual organ builder. The expert team's references range from the organ at St Ludwig's in Darmstadt to the collegiate church in Stuttgart and the Walt Disney Concert Hall in Los Angeles.
In a new project, a console, up to 3,000 bushings and bearings were to be installed in the instrument after completion. The demands on the bearings are greater than one might think: Apart from rain and direct UV radiation, all the environmental influences that also occur outdoors have an effect here. Added to this is the material wood. Unlike metal or plastic, wood is a hydroscopic material. It absorbs moisture and releases it again. The storage environment therefore moves and presents major challenges. At the same time, a hard and precise bearing should be achieved that does not allow zero clearance. And the noise development should also be minimised by a narrow bearing clearance. All of this under constantly fluctuating environmental conditions in the church. Because if an instrument has to be completely dismantled due to corrosion damage, costs can quickly run into tens of thousands of euros.